The DESSINART COLLECTION

Workshop of Raphael; attributed to Polidoro da Caravaggio
Caravaggio, Duchy of Milan c. 1499 – 1543 Messina, Kingdom of Sicily
DS_16C02
Recto - Venus and Cupid This is the preparatory drawing for The Raphael's rooms(Stanze di Raffaello) in the Vatican Museums Verso - ?
Executed ca. early-16th Century (1520)

Description

Title

Recto - Venus and Cupid This is the preparatory drawing for The Raphael's rooms(Stanze di Raffaello) in the Vatican Museums Verso - ?

Attribution

Workshop of Raphael; attributed to Polidoro da Caravaggio

Medium

Red chalk on laid paper, and the corners cut (upper left and right).

Dimensions

Sheet: L. 21,50 cm. | W. 18,60 cm.

Inscriptions

Unsigned; no visible inscriptions or markings.

Documentation

Provenance

Further provenance research is ongoing to clarify the undocumented period prior to the 2024 sale.

Exhibition

No exhibition history currently known.

Literature

No documented literature, bibliography, or publication records have been identified to date.

Digital Archives

No items found.

Technical Imaging

Visible Light

Visible Light imaging records the artwork under normal white light, corresponding to what the human eye can see. It is used to document the current visual appearance of the object, including colour, surface condition, losses, cracks, retouching, inscriptions, and other visible details.

Ultraviolet

Ultraviolet examination uses UV radiation to observe fluorescence on the surface of an artwork. It is commonly used to identify varnish layers, later retouching, restorations, overpaint, adhesives, and certain surface materials that may fluoresce differently from the original paint or support.

Infrared

Infrared imaging uses infrared radiation to penetrate certain paint layers and reveal features not visible in normal light. It is often used to study underdrawings, compositional changes, hidden inscriptions, earlier restorations, or carbon-based drawing materials beneath the surface.

X-Radiography

X-Radiography uses X-rays to examine the internal structure of an artwork. It can reveal the construction of the support, canvas weave, panel joins, nails, damages, previous repairs, dense pigments, hidden compositions, and changes made during the painting process.