The DESSINART COLLECTION

Jean-Léon GÉRÔME
Vesoul, Haute-Saône, France 1824 - 1904 Paris, France
DS_19C-JLG01
Étude d’un homme vu de dos – Étude préparatoire pour L’Âge d’Auguste, la Naissance du Christ
Executed ca. 1852

Description

Title

Étude d’un homme vu de dos – Étude préparatoire pour L’Âge d’Auguste, la Naissance du Christ

Attribution

Jean-Léon GÉRÔME

Medium

graphite on paper

Dimensions

Sheet: L. 15,00 cm. | W. 15,40 cm.

Inscriptions

Documentation

Provenance

Exhibition

Literature

Digital Archives

No items found.

Technical Imaging

Visible Light

Visible Light imaging records the artwork under normal white light, corresponding to what the human eye can see. It is used to document the current visual appearance of the object, including colour, surface condition, losses, cracks, retouching, inscriptions, and other visible details.

Ultraviolet

Ultraviolet examination uses UV radiation to observe fluorescence on the surface of an artwork. It is commonly used to identify varnish layers, later retouching, restorations, overpaint, adhesives, and certain surface materials that may fluoresce differently from the original paint or support.

Infrared

Infrared imaging uses infrared radiation to penetrate certain paint layers and reveal features not visible in normal light. It is often used to study underdrawings, compositional changes, hidden inscriptions, earlier restorations, or carbon-based drawing materials beneath the surface.

X-Radiography

X-Radiography uses X-rays to examine the internal structure of an artwork. It can reveal the construction of the support, canvas weave, panel joins, nails, damages, previous repairs, dense pigments, hidden compositions, and changes made during the painting process.